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<h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Eric Gale</span></h1>
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<p><b>Eric J. Gale</b> (* <a href="20._September" title="20. September">20. September</a> <a href="1938" title="1938">1938</a> in <a href="Brooklyn" title="Brooklyn">Brooklyn</a>; † <a href="25._Mai" title="25. Mai">25. Mai</a> <a href="1994" title="1994">1994</a> in <a href="Baja_California_(Bundesstaat)" title="Baja California (Bundesstaat)">Baja California</a>, <a href="Mexiko" title="Mexiko">Mexiko</a>) war ein US-amerikanischer <a href="Gitarrist" title="Gitarrist">Gitarrist</a> in den Bereichen <a href="Rhythm_and_Blues" title="Rhythm and Blues">Rhythm and Blues</a>, <a href="Fusion_(Musik)" title="Fusion (Musik)">Fusion</a>, <a href="Easy_Listening" title="Easy Listening">Easy Listening</a> und <a href="Jazz" title="Jazz">Jazz</a>.
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<div class="mw-heading mw-heading2"><h2 id="Leben_und_Wirken">Leben und Wirken</h2></div>
<p>Im Alter von 12 Jahren begann er als <a href="Autodidakt" title="Autodidakt">Autodidakt</a> mit dem Gitarrenspiel. Obwohl er einen Abschluss in Chemie an der Niagara-Universität hatte, wendete er sich der Musik zu. Er wurde Begleitmusiker von Maxine Brown, <a href="The_Drifters" title="The Drifters">The Drifters</a> und <a href="Jesse_Belvin" title="Jesse Belvin">Jesse Belvin</a>, nahm aber ab 1963 auch mit <a href="King_Curtis" title="King Curtis">King Curtis</a> auf. Als Sessionmusiker wurde er in den 1960er Jahren bekannt und war an Aufnahmen von <a href="Aretha_Franklin" title="Aretha Franklin">Aretha Franklin</a>, <a href="Bob_James" title="Bob James">Bob James</a>, <a href="Johnny_Hodges" title="Johnny Hodges">Johnny Hodges</a>, <a href="Jimmy_Smith" title="Jimmy Smith">Jimmy Smith</a> und <a href="Sonny_Stitt" title="Sonny Stitt">Sonny Stitt</a> beteiligt. In den Studios arbeitete er an ungefähr 500 Alben mit, insbesondere für <a href="Creed_Taylor" title="Creed Taylor">Creed Taylors</a> Label <a href="CTI_Records" title="CTI Records">CTI</a>. Zu den Künstlern, an deren Aufnahmen er mitwirkte, zählen <a href="Stanley_Turrentine" title="Stanley Turrentine">Stanley Turrentine</a>, <a href="Paul_Simon" title="Paul Simon">Paul Simon</a>, <a href="Lena_Horne" title="Lena Horne">Lena Horne</a>, <a href="Quincy_Jones" title="Quincy Jones">Quincy Jones</a>, <a href="Bob_Marley" title="Bob Marley">Bob Marley</a>, <a href="Nina_Simone" title="Nina Simone">Nina Simone</a>, <a href="Peter_Tosh" title="Peter Tosh">Peter Tosh</a>, <a href="Grover_Washington%2C_Jr." title="Grover Washington, Jr.">Grover Washington, Jr.</a>, <a href="Herbie_Mann" title="Herbie Mann">Herbie Mann</a>, <a href="Esther_Phillips" title="Esther Phillips">Esther Phillips</a>, <a href="Joe_Cocker" title="Joe Cocker">Joe Cocker</a>, <a href="Carly_Simon" title="Carly Simon">Carly Simon</a>, <a href="Van_Morrison" title="Van Morrison">Van Morrison</a>, <a href="Al_Jarreau" title="Al Jarreau">Al Jarreau</a>, <a href="Phil_Upchurch" title="Phil Upchurch">Phil Upchurch</a>, <a href="Dizzy_Gillespie" title="Dizzy Gillespie">Dizzy Gillespie</a> (<i><a href="The_Real_Thing_(Dizzy-Gillespie-Album)" title="The Real Thing (Dizzy-Gillespie-Album)">The Real Thing</a></i>, 1970) und <a href="Billy_Joel" title="Billy Joel">Billy Joel</a>. Einige Zeit war er auch Gitarrist in Aretha Franklins Bühnenband. In den späten 1970er und frühen 1980er Jahren trat er mit <i>Stuff</i>, einer New Yorker Jazzfunk-Band auf.
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<div class="mw-heading mw-heading2"><h2 id="Diskographie">Diskographie</h2></div>
<div class="mw-heading mw-heading3"><h3 id="Als_Bandleader">Als Bandleader</h3></div>
<ul><li>Negril (LP, 1975. Micron Music Ltd.) (CD, 2003. 3D Japan)</li>
<li>Forecast (1973) (Kudu Records)</li>
<li>Ginseng Woman (1977) (Columbia)</li>
<li>Multiplication (1978) (Columbia)</li>
<li>Part of You (1979) (Columbia)</li>
<li>Touch of Silk (1980) (Columbia)</li>
<li>Blue Horizon (1981) (Elektra)</li>
<li>In the Shadow of a Tree (1982) (JVC)</li>
<li>Island Breeze (1983) (Elektra)</li>
<li>In a Jazz Tradition (1987) (EmArcy)</li>
<li>Let’s Stay Together (1988) (Artful Balance)</li>
<li>Utopia (1998) (Rooms Japan)</li></ul>
<div class="mw-heading mw-heading3"><h3 id="Mit_Stuff">Mit Stuff</h3></div>
<ul><li>Live at <a href="Montreux_Jazz_Festival" title="Montreux Jazz Festival">Montreux</a> 1976 (1976, CD, DVD)</li>
<li>Stuff (1976)</li>
<li>More Stuff (1977)</li>
<li>Stuff It (1978)</li>
<li>Live Stuff (1978)</li>
<li>Live in New York (1980)</li>
<li>Best Stuff (1981)</li></ul>
<div class="mw-heading mw-heading2"><h2 id="Lexigraphische_Einträge"><span id="Lexigraphische_Eintr.C3.A4ge"></span>Lexigraphische Einträge</h2></div>
<ul><li><a href="Leonard_Feather" title="Leonard Feather">Leonard Feather</a>, <a href="Ira_Gitler" title="Ira Gitler">Ira Gitler</a>: <i>The Biographical Encyclopedia of Jazz.</i> Oxford University Press, New York 1999, ISBN 0-19-532000-X.</li></ul>
<div class="mw-heading mw-heading2"><h2 id="Weblink">Weblink</h2></div>
<ul><li><a rel="nofollow" class="external text" href="https://www.allmusic.com/artist/mn0000188366">Biographie von Scott Yanow in <i>Allmusic</i></a></li></ul>
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Normdaten (Person): <a href="Gemeinsame_Normdatei" title="Gemeinsame Normdatei">GND</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/134380681">134380681</a></span> | <a href="Library_of_Congress_Control_Number" title="Library of Congress Control Number">LCCN</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n83194284">n83194284</a></span> | <a href="Virtual_International_Authority_File" title="Virtual International Authority File">VIAF</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/2660222/">2660222</a></span> | </div>
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